This is the opposite view from my post The Barred Path, in hindsight the two taken as a single work invoke a sense of having no clear options. One can remain outside the gates, or turn and walk into an uncertain future.
The two present together
Scanned with an Epson V500 Photo using Epson's OEM software.
Kiev 60 Arsat 80mm f2.8 Kodak Tri-X 400 Adox Adonal 1:50 - Another study as much about the textures and tones, as the subject. Great later afternoon like made this image pop, and the Tri-X/Adonal combination completed the look.
Scanned with an Epson V500 Photo using Epson's OEM software.
Kiev 60 Arsat 80mm f2.8 Kodak Tri-X 400 Adox Adonal 1:50 - Continuing on the door theme started in the previous post, the light and shadow of the late afternoon sun made this intriguing. I have mentioned my life long love affair with Kodak's Tri-X before. It is the first film I ever developed myself and I will shoot Tri-X as long as I can get it.
Scanned with and Epson V500 Photo using Epson's OEM software.