No. 1

Kiev 60 Arsat 80mm f2.8 Fujifilm Reala Arista C-41 Kit

When left alone, nature slowly reclaims all.

Scanned with an Epson V500 Photo using Epson's OEM software.

The Overgrown Path

                                   

Kiev 60 Arsat 45mm f3.5 Fujifilm Reala 100 Arista C41 Kit

This is the opposite view from my post The Barred Path, in hindsight the two taken as a single work invoke a sense of having no clear options. One can remain outside the gates, or turn and walk into an uncertain future.

The two present together

                                      

Scanned with an Epson V500 Photo using Epson's OEM software.

The Barred Path...

Kiev 60 Arsat 150mm f2.8 Fujifilm Reala 100 Arista C41

I have an artistic fascination with old doors that I cannot fully explain. I can say the ones that call to me do so at some sort of emotional level.  Maybe it is just a childish curiosity of what may lie beyond, or maybe it is the frustration of not knowing. I do feel they are symbolic barriers to the past, observers of comings and goings that will never tell their secrets.

Scanned with an Epson V500 Photo, using Epson OEM software.

A Devilish Grin

FujiFilm GA645Zi FujiFilm NPH 400 Pro Arista C41 Kit

This was a creepy find, even in broad daylight. The line "Why So Serious" from the Film "The Dark Night" comes to mind and I expected the Joker to pop out of one of the surrounding dark doorways at any moment.

Shooting with the GA645Zi feeling like cheating as it makes shooting media format so effortless. The autofocus is usually tack sharp and the exposure system is great even in tough lighting situations. The built in flash is excellent for daylight fill, as you can see in this image.

Scanned using an Epson V500 Photo using Epson's OEM software.

An Unexplained Madness....

FujiFilm GA645Zi FujiFilm NPH 400 Pro Arista C41 Processing Kit

Someone made use of a broken plastic chair to jot down a profound thought. Captured as found the full text is;

"An unexplained madness in a trembling mortal form,

Here to bring a thundering God to his knees."

-Anonymous

It is a shame a cannot properly credit the author, but he or she did not sign their work.

Scanned with an Epson V500 Photo, using Epson's EOM software.

Graffiti On Rails...

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50

Just random graffiti along the tracks of the lower basin in Lynchburg Virginia. I am still drawing from my first roll of Film Ferrania P30 Alpha, making it an extremely productive roll. The angle of the light was not ideal for these shots, so I am extremely pleased with how well this film performed.

Scanned with a Minolta Dimage Dual Scan III using Silverfast SE Plus Software.

Talk About Old Werld (sic)

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50 - Keeping the Ferrania P30 Alpha shots coming, this was an interesting piece of graffiti on the lower half of an old door. I liked the detail of the leaves in the foreground and the varied tones of the door.

Scanned with a Minolta Dimage Dual Scan III using Silverfast SE Plus Software.

Hydrant no. 1

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50 Another  image from my first roll of Ferrania P30 Alpha. The grain structure and sharpness are great and it worked will with one of my favorite developers, Adox Adonol, a Rodinal equivalent. I used the R09 development time provided by Ferrari as a starting point and it seemed to be right on the mark.

Scanned with a Minolta Dimage Dual Scan III using Silverfast SE Plus Software.

First Roll of Film Ferraria's P30 Alpha

Nikon FE2 Nikkor 35-105 f3.5/4.5 Ferrania P30 Alpha 35mm ISO 80 Adox Adonol 1:50- A long time ago, 2014 to be exact, I backed Film Ferrania's Kickstarter to relaunch their color reversal film production. Needless to say, it has taken some time for my investment to bear fruit, but a few weeks ago I received two 35mm rolls of their new monochrome film P30 Alpha. True, it is not the color reversal film I was originally expecting, but they offered this as an alternative and hey... I love trying any new film. I also figured this would be a good time to revive my passion for analog photography and this Blog.

Scanned with a Minolta Dimage Dual Scan III using Silverfast SE Plus Software.

Torture

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Professional Adox Adonal 1:50 - Politics aside, this taggers placement of this work is perfect. Stenciled onto a buildings cracking foundation, the positioning only reinforces the message of the work. I chose a slightly over exposed negative for this post as it heightened the already high contrast of the Tri-X and Adonal combination.

Scanned with and Epson Perfection V500 Photo using Epson's OEM software.

Bricks, Grass and Tags

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Professional Adox Adonal 1:50 - Another study in texture and tones, a common thread in my current work. There are so many things going on here, the uneven tones of the brick, the contrast of brick and mortar, the pattern of the masonry and the randomness of the grass. These elements appeal to me, even when view the scene in color, my mind translates it to grey.

Scanned with an Epson Perfection V500 Photo using Epson's OEM software.

Pallet

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Professional Adox Adonal 1:50 - The overlapping, smeared appearance of this door reminded me of an Oil Painter's pallet. Layer upon layer of tone and textured blended with care and purpose, but giving no hint of the actual work in progress.

Scanned using an Epson Perfection V500 Photo using Epson's EOM Software.

The Suits no. 2

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Professional Adox Adonal 1:50 - The return of the suits... Ever present ever watching...

Scanned using an Epson Perfection V500 Photo using Epson's EOM Software.

Back Alley

Kiev 60 Arsat 45mm f3.5 Kodak Tri-X Professional Adox Adonal 1:50 - An interesting scene discovered while scouting a hidden alcove off Church St. in downtown Lynchburg VA.. Shot as found, if you look closely you can see "downtown" written on the laundry cart.

Scanned with an Epson Perfection V500 Photo using Epson's OEM software.

The Suits no. 1

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Professional Adox Adonal 1:50 - I like the ominous feel of this tag, anonymous headless men is black suits lurking everywhere. The industrial element added by the location chosen just enhances its stark nature.

Scanned using an Epson Perfection V500 Photo using Epson's EOM Software.

Private Parking Spectre no. 1

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Pro Adox Adonal 1:50 - Well it has been almost 14 months since my last port, sometimes life gets in the way, but this is the start of what I hope will be my return to regular posting. I have been eyeing this piece of graffiti  for some time. I drive past it every time I drive through downtown Lynchburg and for the past six months have wanted to capture. The contrast and grain of Kodak's Tri-X Professional developed in Adox's Adonal (Rodinal) is the perfect combination for the somewhat eery work.

Negative Scanned using an Epson Perfection V500 using Epson's OEM Software.

Around the Bend

Kiev 60 Arsat 150mm f2.8 Fujifilm Neopan Acros 100 Caffenol-C-M plus Salt - This is the kind of building I always dreamed of having a studio in, old, urban and big. I love the way the tracks bend around the rear of this structures.

Scanned with an Epson V500 Photo using Epson's OEM software.

Under The Bridge

Kiev 60 Arsat 150mm f2.8 Fujifilm Neopan Acros 100 Caffenol-C-M plus Salt - The supports of the Lynchburg Expressway Bridge that crosses the railroad tracks and the James River. An interesting mix of symmetry and chaos.

Scanned with an Epson V500 Photo using Epson's OEM software.

Ivy Guardian

Kiev 60 Arsat 80mm f2.8 Fujifilm Neopan Acros 100 Caffenol-C-M plus Salt - Two columns of Ivy stand guard over this door, with crossed arms barring entrance.

Caffenol always seems to bring a vintage looking tonal range, great for subjects like this.

Scanned with an Epson V500 Photo using Epson's OEM software.

Spray Paint Gospel

Kiev 60 Arsat 80mm f2.8 Fujifilm Neopan Acros 100 Caffenol-C-M plus Salt - A section of graffiti painted on the side of the Piedmont Flour Mill grain silos in downtown Lynchburg VA. The silos are a favored canvas for graffiti artists in the area.

Caffenol Recipe:
1 liter Water
54 grams Arm and Hammer Washing Soda
16 grams Vitamin C granules
40 Grams of Instant caffeinated instant coffee
20 gram iodized table salt
Add ingredients in order given, stirring in between until fully dissolved. Use immediately and discard.

Scanned with an Epson V500 Photo using Epson's OEM software.