Kajin Tora....

Fujifilm GA645Zi Fujinon 55-90 f4.5/6.9 Fujifilm Acros 100 Arista 76 1:1 - One of the first shots from my GZ645Zi, our cat Kajin Tora was striking a great pose so I could not pass her up. She has stunning eyes and a killer instinct.

Scanned with an Epson V500 Photo using Epson's OEM software.

The Infamous Texas Inn

Fujifilm GA645Zi Fujinon 55-90 f4.5/6.9 Fujifilm Acros 100 Arista 76 1:1 - A Lynchburg land mark for more years then must people remember, the "T-Room" as it is known, specializes in Chili and Hamburgers and serves up some of the best hang over food in town. Their trademark burger is the Cheesy Western, a cheese burger with Chili topped with a fried egg. The decor is classic 1950's lunch counter, with a sprinkling of greasy spoon, but do not let the rough edges keep you away. The Texas in a classic American Burger joint in the best sense of the genre.

Scanned with an Epson V500 Photo using Epson's OEM Software.

Watch that first step!

Fujifilm GA645Zi Fujinon 55-90 f4.5/6.9 Fujifilm Acros 100 Arista 76 1:1 - A door to nowhere, this one adorns the side of the Academy of Music in downtown Lynchburg VA.. Now a part of Lynchburg Academy of Fine Arts the old theatre has been under active restorations for several years.

Scanned with an Epson V500 Photo using Epson's OEM software.

GMC

Fujifilm GA645Zi Fujinon 55-90 f4.5/6.9 Fujifilm Acros 100 Arista 76 1:1 - An example of why the GA645Zi is my new love. The Fujinon zoom lens, if a bit slow, is absolutely stunning. The sharpness and contrast jumped off the negatives even before I scanned them. There are many reason I still shoot film, habit, nostalgia, the process, the smell of fixer and images like this.

Scanned with and Epson V500 Photo using Epson's OEM software.

Deaf Child Area?

Kodak Retina IIIS Schneider Retina-Curtagon 35mm f2.8 Orwo UN54 Arista-76 Stock - I am not making fun on anybody's disability, but is a street really the best place for a Deaf Child Area? Another shot from my first test roll from my newly acquired Retina IIIS.

Scanned with a Minolta Dimage Scan Dual III using Silverfast SE Plus.

Back to Retina....

Kodak Retina IIIS Schneider Retina-Curtagon 35mm f2.8 Orwo UN54 Arista-76 Stock - My first experience with photography was using my Father's Kodak Retina IIIS. A gorgeous German made 35mm rangefinder that kicked off not only my life long love of photographer, but also my undying love for rangefinder cameras. Sadly, the shutter in that Retina broke several years ago, so I have been unable to use my first love. Recently I tracked down a replacement on ebay, and this is fruit from my first test roll. The optics are as good as I remembered, crisp with perfect contrast. More to come from this camera.

Scanned with a Minolta Dimage Scan Dual III using Silverfast SE Plus.

My new girl Koni

Koni-Omega Rapid Omega 200 Super Omegon 90mm f3.8 Kodak Tri-X Arista 76 1:1 - A shot from the first roll through my recently acquired Koni-Omega Rapid Omega 200. A Koni-Omega has been on my camera "must have" list for some time and I finally got an opportunity to buy one for a great price (Thanks Jeremy!). The Koni-Omega line of medium format rangefinder cameras are have a 6x7 frame size rendering 10 exposures on a roll of 120 film. They have a unique single stroke "pull and push" film advance mechanism built into the interchangeable film backs, that is both quick and positive. Film advance and shuttle cocking are coupled to prevent double exposure and inserting the dark slide locks the shutter release. One oddity is the film advance does not require the shutter being fired to advance again, so it is easy to skip frames if you are not paying attention. The Super Omegon 90mm f3.5 lens has impressive sharpness as illustrated in the image above. I also have a wide angle  Wide Omegon 58mm f5.6, I have yet to test.

Technical Specifications

• Negative size 2 1/4 x 2 3/4" (10 pictures on standard rollfilm 120)
• Rangefinder Camera with automatic parallax correction
• Interchangeable lenses 58mm f5.6 with optical finder,  90 mm f3.5, 135 mm f3.5, 180 mm f4.5, all with integrated leaf shutter B, 1-1/500 s, synchronisation M/X, built-in retractable lenshood
• Film magazines 120 and 220 with preloading roll film holders 
• Rapid advance lever for film advance and shutter

 Images scanned with an Epson V500 using Epson's OEM Software

Come into my parlor....

Nikon FE2 Micro-Nikkor 55mm f2.8 Orwo UN54 Arista 76 - This American Funnel Spider has occupied a corner of my bedroom window for over a year. This summer she seems to have double in size. Her body is just over and inch long and with her legs she measures just over 3 inches. A thin layer of silk is between the spider and the glass of the window I was shooting through, creating and interesting diffused silhouette effect.
Scanned with a Minolta Dimage Scan Dual III using Silverfast Software

A Slight Breeze

Lomography Society Diana F+ Kodak Tri-X Professional Arista 76 1:1 - The last of this "Dark Corners" series. There was very little wind this day. I squatted patiently, waiting for a breathe of life to lift the flag. It teased me... lift slightly then falling, until finally an exhale.
Scanned with an Epson Perfection V500 Photo using Espon's OEM Software.

A Mute Reminder

Lomography Society Diana F+ Kodak Tri-X Professional Arista 76 1:1 - Another from the Old City Cemetery, interesting shadows and tones. Many of the grave marks here are so old the marking have been lost to wind and weather, mute reminders.
Scanned with an Epson Perfection V500 Photo using Espon's OEM Software.

Coleman and Virginia

Lomography Society Diana F+ Kodak Tri-X Professional Arista 76 1:1 - Coleman and Virginia, there may be more detail buried beneath the surface, but this is all time has left visible. A loving couple? A Son and Daughter? We cannot tell. I could shoot for week in the Old City Cemetery and always find something new. There are some many layers, textures and new angles to explore.
Scanned with an Epson Perfection V500 Photo using Epson's OEM Software.

Tree of Stone

Lomography Society Diana F+ Kodak Tri-X Professional Arista 76 1:1 - An interesting Grave marker in the Old City Cemetery in Lynchburg Va.. Reminds me of the trees that come to life in the Lord of the rings, or a Hobbits lawn monument.
Scanned with and Epson V500 using Epson's OEM Software.

Double Exposed

Lomography Society Diana F+ Kodak Tri-X Profession Arista 76 1:1 - An Accidental Double exposure that came out well. Shooting with the Diana F+, you must remember to advance the film after each exposure. Sometimes you forget, but the results can lead to some of your most interesting shots.....
Scanner with an Epson Perfection V500 scanner using Epson's OEM software.

Dark Corners and Diana

Lomography Society Diana F+ Kodak Tri-X Professional Arista 76 1:1 - From a walk through The Old City Cemetery in Lynchburg Va. with 2 rolls of Kodak Tri-X and a Lomography Society Diana F+. Actually my first rolls of 120 film through my 3 year old Diana. I originally purchased the Diana with a Fujifilm Instax Mini Back and have used it as an Instant camera until now. I love the dark corners and focus falloff of the plastic lens. Perfect for the mood of this site.
Scanned with an Epson Perfection V500 Photo using Epson's OEM Software.

Coal Tower Lower Basin - Lynchburg VA exposure no. 6

Kiev 60 Arsat 80mm f2.8 Kodak Tri-X Profession 400 Arista 76 1:1 - This coal tower is located in the Lower Basin switching yard, Lynchburg VA. This is actually my second attempt at shooting the tower, the first was on and overcast day and and the lack of shadows reduced the impact of the image.
Scanned with and Epson V500 using Epson's OEM Software.

Missed exposure no. 10

Kiev 60 Arsat 80mm f2.8 Adox Art CHS 100 Arista 76 1:1 - We walk razor's edges of endless possibilities. Indiscernible paths, side by side, each with its own destination. As we change paths, the others go from what could have been, to what will never be.....

So I have this old Refrigerator....

Kiev 60 Arsat 45mm f3.5 Rollei Retro 400s Pulled 2 stops D-76 1:1 - This is more of a test shot than the final product. I have an old refrigerator in my attic studio that I have been trying to work into a shot, my wife has nice legs, so this is the result. Will take another swing at this one soon.

From The Archives - Old Boat Grandview 1982

Pentax ME Super 50mm F1.7 Kodak Tri-X D76 Microdol X Stock - Another old favorite. Late fall in the Grandview section of Hampton Virginia in late 1982. My first 35mm SLR was a Pentax ME Super. I learned to shoot on my Father;s Kondak Retina IIIs before getting the ME Super.

FUJIFILM Neopan Acros 100 no. 2 (Untitled)

Kiev 60 Arsat 80mm f2.8 FUJIFIM Neopan Acros 100 D-76 Stock - Another shot from the same set.

FUJIFILM Neopan Acros 100 no. 1 (Untitled)

Kiev 60 Arsat 80mm f2.8 FUJIFIM Neopan Acros 100 D-76 Stock - My first roll of Neopan Acros 100. I think I am in love. Perfect for studio work. Initial scans seemed a little flat, but tweaking the levels seems to clear that up. Grain and sharpness are great.